Tag Archives: Colour

web design colour for you

 

However, when it comes to web designing, many designers overlook the enigmatic power of colors. It can bring life to any image, text or graphics. It can create the atmosphere needed in order to capture the viewer’s decision and loyalty. These are the reasons why colors should be on our topmost list of things that need to be considered in mounting a web site. You don’t want a drab looking site, do you? It will appear, melancholic, chaotic, plain and boring. Thus, colors must be chosen in order to complement the site’s ambiance, feelings and purpose.

Web browsers only see 256 colors. However, there are times when the number may not appear as such because no browser shares the same 256-color pallet. Nowadays, web browsers are sharing 216 common colors. Thus, in order to complement to other web browsers, web designers must stick to the 216-color pallet. If they go beyond this color pallet, chances are the colors may not exist on other browser. In order for the browser to display that particular color, it will need tiny dots from the colors native to the browser. The process is called dithering. Unfortunately, this will result to the distortion of some tiny dots. Further, this will make the image appear speckled and without a solid color. In connection to texts, dithering will make them blurry and hard to read.

Verdict: Web designers must use browser safe color when using solid color as a design element. However, caution must be exercised.

There are times when we feel we are tricked by our eyes. In fact there is what we call mirage? An optical illusion and there is a long list of optical illusions that can otherwise trick us. But there are times when we are neither tricked or deceived in fact it is an act of science. How do this happen?

At the back of our eyes, there is a thin layer of tissue. This layer of tissue contains millions of tiny light-sensing nerve cells which are called rods and cones. Our eyes have ample decoding cones. These cones are the ones responsible for responding to specific wavelengths of light. Say, when you look at a red box, the cones that have detected the red wavelength become exhausted and fatigued. As a result, opposite cones in the eyes start to enter and different colors are made apparent.

Eye fatigue is one of the important considerations in designing a web site. Thus, avoid colors that are tiring to the eyes. It can result to disaster and can further result to giving of wrong notion or idea to the viewers. Colors like red and yellow, strains the eye faster than any other colors. Thus, limit the use of these colors. Use them on areas that need emphasis and focus. This will surely pull viewers attention. Other that those areas – a big no-no!

Colour Me Brightly! Understanding Light in Interior Design. Part II: Perforations and Glass

Professional interior designers are expertly trained in the use of lighting features to create breathtaking results. In this four-part series which I call “Colour Me Brightly: Understanding Light in Interior Design,” I draw on my experience in London’s interior design community to explain this fascinating subject. This second article talks about how to create patterns using illuminated materials.

Any perforated textile, when lit from the back or from the inside, will speckle adjacent forms with pattern, from point strips and pirouettes to constellations and dazzling laser specks. The professional interior designer can use the trim of a window covering to create fabulous banding across a shiny floor covering in the London summer. Some interior design firms love to use ornamental metal lanterns to paint fiery asteroids on walls and furniture, while light projected through a sculpted screen can create magnificent abstract outlines in expressive contemporary interior design schemes. A factory-inspired metal stairwell with perforated treads – of the type often reinterpreted for ultra-modern interior design schemes – can throw tiny checkmarks of light onto local furniture when exposed to a bright London sky in springtime. A fabulous option with a wooden staircase would require the interior designer to specify a grit-washed tread, to deliberately throw stunning shadows from the rail onto the adjacent wall. Abstract wire-mesh sculptures by local London artists can engender powerful interior design emotions, with the pattern even becoming more important than the object itself! Interior designers can expressively use perspective to distort the pattern from complete realism, when lit front-on, to Baconesque abstract enchantment when illuminated at an acute angle. The same effect can be created by using mirrors to refocus natural light from bay windows in some of the more luxurious London residences.

Glass is another popular tool for patterns. A frosted glass table can be lit from above with a halogen downlighter to cast intricate outlines of reflected light onto the ceiling, and the interior designer can even use positioning to cause refracted light to splash abstract patterns onto the floor underneath the table. I have seen some London Interior Design consultancies deliberately illuminate trophy-style glassware on display shelves from the front so that the etching on the glass throws deep shadows that recapitulate a core design theme.

In the next (third) article in this series called “Colour Me Brightly!” I will reveal another secret of London’s interior design community: how to create patterns with opaque objects.

Colour Me Brightly! Understanding Light in Interior Design. Part IV: Conclusion

Professional interior designers are expertly trained in the use of lighting features to create breathtaking results. In this four-part series which I call “Colour Me Brightly: Understanding Light in Interior Design,” I draw on my experience in London’s interior design community to explain this fascinating subject. This fourth article concludes my series.

Linear light patterns can focus on either the horizontal or the vertical metrics of a room. A given wall-light technique can create an immersing halo effect, if the interior designer uses concentrated super-bright light at high level that gradually fades out towards the base. Some London Interior Design consultancies specialise in choosing continuous sources, such as a miniature tungsten rack for a soft light or overlapping fluorescents for a cooler light. This is an effect that works very well in contemporary interior designs, where light can be concealed between the wall and the ceiling in a crevice in order to take the place of the traditional cornice.

The best method of illumination for interior designers to use when creating patterns will depend on the interior, and also on the direction of windows (natural light in London can be very seasonal). A smoothly plastered wall can jump into existence with a dappled arc wave from closed-offset down-lighters but if the interior design feature lies in the texture and in the structure or hue of the wall, then a more uniform spray of light will emphasise the wall’s best perspectives. A splashback tile solution at the rear of a shower or bath is a good interior design choice for the arc wave effect, as is a Venetian blind in a London kitchen. A wood-panelled hall or study is often a compelling interior design feature, and accordingly it would be better lit with an even light that does not detract from the feel of the wood.

Shifting from instant to instant and from a London dawn to a dappled full seasonal moonrise, the impacts of illumination and shadow are phenomena we almost disregard. But London’s top interior designers know that patterns of light can actually transform our emotions with respect to the interior forms that engulf us. By bringing to life walls, floors and ceilings with light-focused interior designs, pattern-making is yet another realm of illumination that can brighten our spaces and enhance our quality of life.

Develop Your Web Design Skills by Learning About Colour

Designing for the world wide web involves plenty skilful disciplines from layout to type & colour. Colour is particularly serious because it provides the first impression to the user. the right colours can create a great experience for the user, while the wrong colours can have an adverse affect.


To make a good website, the web designer should know how colours can affect people. subconsciously, people react to colours and associate them with different feelings & emotions.


Colours do not only bring up emotions and feelings that might influence how a site is received but they can also be cleverly utilised to direct users to specific bits of your site.


Every colour that you can think of can be used on the internet these days, which means that picking the correct colours can be a huge task. here’s a fast summary of how some colours evoke certain reactions.


Black is associated with power, sophistication, riches & mystery. in design, it can be very effective with brighter colours to create great contrast.


White is linked with cleanliness, simpleness, calm & purity. used on websites a lot, it can convey style & demonstrates that the website’s content is strong enough to stand alone without bold imagery or graphics.


With connotations to lust, anger, fire & power, red, used sparingly, can be a good way to direct the user’s attention to a certain area.


Red is a very evocative colour & it stirs up thoughts of hell, love, fire & warning. it’s probably the best colour to use to draw attention.


White can create contrast by being used as a background colour. the areas of white inbetween the components of a webpage are called negative space. White is linked with cleanliness, peace & light.


Black is a bold colour & is associated with sexiness, intensity & elegance. it’s a very popular colour on photography web sites, because black creates heightened contrast with colours within photos.


Purple has connotations of royalty, indulgence & luxury. it isn’t an often used colour in designing web sites, probably because it is known as a girly colour.


Creating the impression of earthiness, cosmos & poverty, brown is extremely similar to green in that it can be used to give the site a relaxed feel.


Brown stands for confidence, reassurance, dirt & poverty. like green, it can be used to make a site feel calm and relaxed. it is really popular with websites to do with nature.


Purple might be a really rich colour & it’s linked to religion as well as wealth & royalty. It doesn’t is not so popular as other colours in designing for the internet however, if used effectively, it gives a site a sense of sophistication.


It is evident that colours do not just make a site look stunning, but they also have an underlying effect of user experience & can dictate how successful a website can be. picking the right colours can evoke a site that users can identify & will make them more willing to use, explore & promote the site to pals. picking the wrong colours can accidentally put users off & have them switch off.

Use Colour Balance and Contrast for Your Web Design

One sign of a well-designed website is its colour scheme. colour selection is vital in creating the look that the site’s owner wants to portray. if the look of the site doesn’t meet the users expectations, then they will leave & probably never go back to the site. This is regularly the reason why a web-site isn’t doing as well as it should be.

Knowing more about colour perception can make your life easier when deciding on a colour scheme for a web site. knowing the colours that can irritate & those that can calm is vital in giving the user a good impression & experience of the site. why would you want to annoy a user when you want them to buy from your web-site?

Colour balance and contrast is another technique to be aware of. It can be used to direct users to desired pages of areas within the site.

Below are some of the best-known colours & their emotional connotations.

Red is associated with strength, fire, blood & lust. if it’s used sparingly on a light background colour, it can be used to make the most of & emphasise.

Blue is the most popular colour & it can symbolise confidence, loyalty & royalty. the darker end can mean strength whereas the paler end can be used to represent dream and fantasy.

Green can summarise feelings of durability, safety & harmony. it’s also a striking colour to use to emphasise calm & relaxation.

Black can be linked to death, mourning, power & style. numerous heavy metal bands use black as their main colour due to its links with death & evil.

Yellow summons images of summer, joy & optimism. its a colour that could be overwhelming & if used in conjunction with black, it creates a warning feel.

Just like yellow, red is a colour that is linked with love, sex & energy. it too can be over powering if over used, however it’s exciting to attract attention.

Purple has associations with royalty, indulgence & luxury. it’s not a commonly used colour in designing websites, probably because its known as a feminine colour.

Creating a feeling of earthiness, disposition & poverty, brown is very similar to green as it can be used to give the site a relaxed feel.

Darker shades of purple can be really deep and luscious. it is associated with royalty, spirituality, arrogance and luxury. lighter shades can represent romance and delicacy. it’s a colour that is not used very often on web sites.

Full of energy, vibrancy and stimulation, orange is a wonderful colour to use in web design. it is used to bring youthfulness to a design.

It’s clear that colours do not make a web site look beautiful, however they also have an effect on user experience & can dictate how successful a website can be. getting the right colours can create a site that users can discover & will make them more willing to use, explore & promote the site to mates. getting the colours wrong can inadvertently put users off & have them leave your site for somebody elses.